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This is a process & ideas blog from the secret attic headquarters of Meg Hunt, who lives and makes in Portland, Oregon.

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I love terrariums (seems like everybody I know does!) but have never made one. And to be honest I miss the desert succulent plants a lot, so there’s really no excuse! I figured since I do so much plant drawing anymore (weird, really!) I might try and bring it into the 3D and kill two birds with one stone.  So for Cosmic Forest, I’m making a few to hang in the windows. There’s clay, cut painted paper, and some painted shells and sea ephemera in there. I really love them. Perhaps down the line I’ll produce some kits so people can make their own?
Pardon the webcam shot, my camera batteries died and I was just too excited to share.
Cosmic Forest opens next Friday, be there!

I love terrariums (seems like everybody I know does!) but have never made one. And to be honest I miss the desert succulent plants a lot, so there’s really no excuse! I figured since I do so much plant drawing anymore (weird, really!) I might try and bring it into the 3D and kill two birds with one stone.  So for Cosmic Forest, I’m making a few to hang in the windows. There’s clay, cut painted paper, and some painted shells and sea ephemera in there. I really love them. Perhaps down the line I’ll produce some kits so people can make their own?

Pardon the webcam shot, my camera batteries died and I was just too excited to share.

Cosmic Forest opens next Friday, be there!

Hey, so I’ve been AWOL on this thing. Truth is, I’m scrabbling like some scrabbly thing to get everything done for Cosmic Forest. (It opens next Friday at 6pm! At Land! Please come!) Among the things I’ve made are these pillow…things. They’re only about 9 or 10”, so I don’t know, are they pillows? Pillow pals? Toys? What I do know is they’re pretty cute. I only made a few this go-around, but I think I’ll reprint a bigger run with different colors to sell later. I’m hoping to make one or two more for the show!

I love the backing fabric for these too. I found it at SCRAP and have been sitting on it for just the right project! I might print something for the back for the future ones though.

Back into the thick of things!

Thirty-seven days.

It’s funny, but I’ve felt guilty not posting so frequently here, not sharing art. It’s been a seemingly quiet few months of freelancing— a lot of possibles, a few wonderful jobs I can’t share quiet yet, but in all honesty I’m grateful for the slow period. It’s been a nice incubation time for Cosmic Forest. This is a lot of work (at least, I think it looks like it!) but not even close to done. I have lofty goals- textiles, a mobile, sculpture… and only thirty-seven days.

I feel very lucky working on this project— although a month ago you would’ve found me nearly ripping my hair out in stress. The truth is, I didn’t know where things were going or what I wanted to make. Being in an illustration mindset, I felt like things had to be this big intense project, I had to have a meaning from the get-go and when I was stumped in late winter/early spring, I worried I had no ideas. And I felt so strongly things needed to be perfect that I wasn’t allowing myself to explore and make accidents and find joy in making (case in point: those little vessel pieces were scrap paper and totally unplanned but I really love them). I felt I needed to ape my illustration work in paint, which after a while I learned I just cannot do 100% yet. All this work relates, of course, but working digitally has spoiled me, and learning how to be okay with my analog skills to date has been a tough lesson to learn. But allowing myself to play and make the best work I can with the skills I’ve got has allowed me to open up the parameters and figure out what this show could be. Every day I am coming up with a little corner of this world and it delights me. I don’t know what to do with Cosmic Forest after this— but I’d love to set something within this world. A book? An animation? We’ll see.

The other thing that I noticed when framing this all was that there’s this predominance of black and darkness in the work. Which if you’ve seen my work, black is just not a color I utilize frequently. It’s funny to work this way. But I think despite this darkness it’s more mysterious and raucous than dark and bleak. I’m going to work on some gouache and pastel drawings on black paper. I can’t wait.

I’m really excited to share it with you. I won’t post too much of it between now and 7/15, because I don’t want to ruin the surprise (even though I am really bad at keeping secrets about my work). But I’m sure we’ll share some process along the way.